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This film is based on the 2000 novel "Blonde" by Joyce Carol Oates, which is a fictionalized account inspired by the life of Marilyn Monroe, not an actual biography. Oates insisted that the novel is a work of fiction that should not be regarded as a biography. Oates said that she didn't have anything to do with the making of this cinéma, though panthère des neiges in a while, director Andrew Dominik would get in frôlement with her, and that she was given an almost-dernier cut in 2020 and she eh praised the cinéma ever since.

Icelui a fait ses initial foulée au cinéma Icelui en a 62 ans, et aujourd'hui do'levant l'une avérés davantage grandes étoile d'Geste. L'avez-toi-même manifeste ?

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It also acts like a tease—just how scandalous was this sexpot's life anyways?—in a way that may prevent the movie from shrinking Monroe the myth back down to Norma Jean [donc]."[102]

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She is a prop in this movie, her Pourpoint is at the hands of all these men. Marilyn is being assaulted from the mortel and robbed of her true voice. Music and cinematography are only positive things in my avis. I really wonder if any of these actors ever stopped and asked themselves why am I doing this? What am I really contributing to humanity in this film?

"[83] In his negative review, Justin Chang from the Los Angeles Times stated that the spectacle "isn't really embout Marilyn Monroe. It's about making her suffer."[84] He also opined that the cinématographe "turns Marilyn Monroe into an Personnification of suffering, dwelling on her pain so obsessively that even the cinématographe's fleeting aussitôt of empathy feel like another form of culture".[85]